Once I got the main chords, bassline, drums, everything like that, then it was fun for me because I can add in. But figuring out reproducing Butch Vig's production is definitely not a simple thing. I just went in and had to listen pretty intently. ![]() And so each section performing was very different, whereas the first verse is more smooth and provocative, and the second verse is angry and in your face, it's just dynamic and diverse.ĭID YOU FULLY PRODUCE THIS TRACK YOURSELF, TOO? It's very dynamic and it has a little journey to it. And you hear it as the track progresses because it's not a commercial pop bullshit single where it's two minutes and it's verse, chorus, verse, chorus. ![]() And that was something that I really wanted to push more. This is all singing and it's a bit different. And for me, I dip in every single thing: I can sing, rap, scream … Last was a bit more rap, punk-focused. This definitely has a different vocal delivery. YOU TAKE A PRETTY DIFFERENT VOCAL APPROACH ON THIS COVER THAN ON YOUR OTHER, ORIGINAL SONGS. Really, honestly, the performance of that track is what stood out to me the most. And you hear that when it hits the raspy chorus and verses and stuff like that. Because she takes it in such a haunting way, and I wanted to take it in a gritty way. I was like, "Dude, this would be so sick to do if I just cranked it up a little bit more." Just a little more industrial, a little bit more edge, a little bit more grit to the vocals. It really stood out to me in that grunge realm. And I think at that early stage of a band they're really experimenting more, that's where you get these really sick songs …Īnd Shirley Manson's performance was so haunting … It's not something that you see nowadays. It's like, before you inevitably have to start making commercial music, you kind of make really whatever you want. ![]() MIKE'S DEAD I think early Garbage, it's like early Nails. Stream his "#1 Crush" above via its visualizer video, and read our interview with Mike's Dead on the cover and his future direction below. The result represents a compelling new facet to Mike's Dead's shape-shifting persona. Attacking "#1 Crush," he added extra raspiness (plus some almost-Gregorian-style chanting) to singer Shirley Manson's iconic vocal lines, and extra industrial bite to Garbage co-founder (and Nevermind producer) Butch Vig's production. Mike's Dead first heard Garbage while playing the video game Rock Band as a kid, but didn't dive in deep until more recently. And to introduce this latest sonic swerve, he's unleashed a gritty, provocative new cover of Garbage's Nineties classic "#1 Crush," which was originally released as the B-side to their debut single, "Vow," and later appeared on the soundtrack to Baz Luhrmann's 1996 Shakespeare modernization, Romeo + Juliet. Across his many stand-alone singles and 2021's Revenge EP, Mike's Dead has explored all kinds of sounds - rap, punk, nu-metal, the list goes on - but now he's going industrial.
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